In the American Baroque Orchestra (ABO) we’re using “baroque” to indicate an approach — a way of exploring, thinking about, and interacting with music — as much as referring to a specific period of time and genre of musical artistry. What this means for our new and evolving ABO audience....
TagsABS Benjamin Thorburn Bortiansky Colin Meinecki Daniel Lee Dann Coakwell Derek Greten-Harrison Ezra Seltzer Handel Haydn Henry Purcell Jaap Schröder Jacques Lee Wood Joan Plana Johanna Novom Johann Bernhard Bach Johann Heinrich Schmelzer Johann Sebastian Bach John Abdenour Judith Malafronte Karina Fox Kathryn Aaron Les Fêtes d’Hérbé Mara Hazzard-Wallingford Messiah Michael Haydn Mozart Patron Seats Pergolesi Student Outreach Supporting ABO Tatiana Daubek Tchaikovsky Telemann Trebles of The Saint Paul’s Choir Tuesday Rupp vibrato Vivaldi
Tag Archives: vibrato
Sir Roger Norrington pushes listeners and lovers of “classical music” to the edge. It’s bad enough that he recorded the Beethoven symphonies a while back with strict adherence to the metronome markings (many still perpetuate a modern-day rumor that Beethoven’s … Continue reading